Class Blog for Engl. 381, US Ethnic Literatures, Virginia Commonwealth University, Fall 2012
Monday, September 3, 2012
Lae Choo
In the opening paragraphs of Sui Sin Far's work, the writer purposefully excludes names but solely explains the characters as "The Little One" (545) and "his mother" (545). In fact, Far characterizes the two as almost one being: one a part of the other. However, Lae Choo, "accustomed to obedience she yielded the boy" (546) to her husband and ultimately the customs agents. While the struggles of immigrants and racism appear through out the work, I was more struck by Lae Choo and her representation of a Chinese woman. Hom Hing desired that his son be born in China and off went Lae Choo to comply. Lae Choo spent about two years in a different country from her husband to alone birth their child then ultimately tend to her husband's dying parents. Once those duties expired, she once again had to return to her husband. Even before the Little One is taken, Lae Choo jumps through the hoops set up for her. Once customs takes the Little One, both Lae Choo and Hom Hing must jump through the hoops of the government. Hence, the Chinese immigrants are almost degraded to the level of their own women. Lae Choo's life was obedience and caring for those in need of her services. When her son is lost to her, Lae Choo similarly loses herself; she deteriorates to "listless, wan, and hollow-eyed" (549). Hom Hing and Lae Choo must rely on the unsentimental lawyer; they themselves are unable to free their son. Ultimately, they are unable to free themselves when the now Kim bade his mother "Go'way, go'way!" (551). Ultimately, they are powerless. Ultimately, Lae Choo was always powerless. What does Lae Choo's demeanor and actions expose about Chinese women (immigrant or not)?
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At this point, I don't even think it's just about how powerless Chinese women were, I think it's a lot more about just how utterly hopeless it was for non-white people to get any sort of help, period. Both instances of white people in the story - the customs/immigration agents, and the lawyer - both start off by promising that all will be well, and their actions are inviting, and then WHAM, completely screwed Hom Hing and Lae Choo over, just because they can. And then, of course, at the very end, you have "Kim" as the image of their lives corrupted by the white man, so they literally have nothing left.
ReplyDelete(Seriously though, man, right in the feelings. Yeesh.)
This seems to deal greatly with the gender roles of both the Chinese and Americans especially when it comes to the part where she's offering away her jewelry to be able to afford to pay the lawyer. It seemed that all of the possessions given as payment belonged to Lae Choo and were gifts to her from her biological family. The only thing that she couldn't give away was the ring that Hom Hing gave her when starting their new family. It's almost like she is symbolically having to give up her past and her history if she wants any chance to continue in the future with her new family. And even after this sacrifice, it is only accepted after Hom Hing tells the lawyer to accept it; it wasn't accepted solely based on Lae Choo's desires.
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